"SCRUFFY EAGLE"
"Bb CORNET FINGERING CHART,
USING THE REAL NOTE NAMES (NOT TRANSPOSED)"
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-----  BACKGROUND INFO  -----


      The Cornet and the Trumpet are very similar instruments. They have the same effective range of notes, and use identical fingering patterns for working the valves. The difference is found in the ratio between the diameter of the tubing and the length: The Cornet has a larger diameter tubing, of shorter length. This change of ratio makes the sound of the Cornet more mellow as vs. the Trumpet; a slight modification of an instrument design, made for the sake of (and continues to endure as a useful instrument because of) tonal considerations. This fundamental similarity between the two instruments means that the contents of this page are also accurate for the B-flat Trumpet.

      This fingering chart for the Bb Cornet was created by me, after a fairly extensive search of the web. I wanted a chart which would show the fingering patterns for the Bb Cornet. I don't have any connection with wind bands, and don't have any intention of writing music for such. I do, however, want to use the Cornet at some point as an accessory instrument in some of my musical compositions. The upshot of all that, is that it isn't sensible for me to learn the fingerings of the Cornet associated with transposed note names (the way that common band score convention insists on) - and, forevermore be continuously transposing any time I want to include usage of the instrument in a composition. Instead, it will be more useful for me to learn the real names from the start; i.e., if it's a "C" on the Piano, it should be called a "C" on the Cornet, too! I wanted a chart that would be displaying the real note names. I wasn't able to find anything like that - so, the only remaining course of action was to create one of my own. What you find on this page, is the result.

      To the best of my knowledge all Cornets have a slide on them for shifting the range of the instrument down a half step. This slide is usually found before the wind can be delivered into the first piston; that's how it affects the entire range - it makes its change before any other modifications to tubing length occur. Some Cornets work this slide via a spring-loaded lever. Others, like mine, need to be moved in & out by grabbing onto the slide itself. The lowest note of the instrument that can be made via no pistons being used to change air flow, is called the "pedal note" of the instrument. On my Cornet, with the slide pushed all the way in, the pedal note is a "B". When I pull the slide all the way out, the pedal note shifts down to become a "Bb" (B-flat). Therefore, my Cornet is considered to be a "Bb" instrument. The purpose of the slide is to make it easier to do difficult fingering patterns that might occur, by changing the overlay of melody onto fingering positions scale; i.e., a difficult sequence of fingerings might become easier, if the melody gets shifted up or down a half-step. So, my fingering chart for the B-flat Cornet is really two charts: One, is for the note names when the slide is pushed all the way in (the normal manner of playing it). The other, is for when the slide is pulled all the way out.



Good enough for now,...


Good enough for now,...


-----  IN CONCLUSION  -----



      Feel free to save, print, and/or use a copy of this chart, if it's for your own personal needs, or will be applied as an educational accessory teaching students. However, if the purpose of using this chart is commerically based, I expect an industry-standard level of compensation. An example of what I mean by that, is, "What terms would 'Mel Bay' insist on and charge for a similar item?"

May you be guided and protected as you pass through life!

~~~    Scruffy Eagle    ~~~



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