----- DETAILS OF PUBLIC SESSIONS, SITTING IN WITH BANDS -----
(Sorted alphabetically by band, then date. )
"Bear Creek"
~~~ Scruffy Music Partners ~~~
Linkage to the "Bear Creek Band" website
|
|
|
Friday, 09/02/06 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, during 2 songs:
*) "Evil Ways" by Santana, and
*) "Change In My Pocket" by The Georgia Satellites.
Everythings went smoothly, and we all had a great time. They told me they'd love to have
me sit in with them again. The only negative comment, was from a friend of mine who'd been
out in the crowd - that, he couldn't hear the bongos while I was playing.
Saturday, 09/03/06 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, during 1 song:
*) "Pour A Little Sugar On Me" by Def Leppard.
This was frustrating. My equipment was set up, and I'd discussed which song to
do with Dan and Rich. We'd settled on "Tush", by ZZ Top. Rich told me
to discuss it w/ Dave - so, I did. What I didn't realize, was that I needed to
discuss it w/ Barry also. I realized as their last set progressed, that Barry
was the guy calling the tunes - and, that he had his undies up in a bunch that
I hadn't discussed "Tush" w/ him; that, he'd been left out of the
discussions. When he called the last song, Dan & I exchanged gestures; both
hands up & out, palms up w/ shoulders raised - it was clear he didn't know
why Barry hadn't called for "Tush". He then waved to me, gesturing
that I should come up and play during that last song - so, I did. The room,
which had been only about half full for a while, seemed very full as I looked
out at the crowd. More people had come in, when I began playing. The crowd was
dancing and enjoying it. When the song was over, there was a huge round of applause.
After the set ended, I sat down and packed up my equipment. After a very few
minutes, I realized that the room was almost empty. There were only a few
stragglers at the bar, the band members, and a few of the serving staff. This is
evidence, to me, that I'm developing a reputation for my bongo playing, sitting in
w/ groups in the Casino - perhaps, even, a bit of a "following". This is
good. Maybe, one of these days, a group will invite me to join their band.
If I like and trust them, I'll say "yes". Unfortunately, I can't say I'd
say "yes" to Bear Creek. I like all the guys in the band, and admire
their musical abilities - but, they drink alcohol on stage. I have a personal rule,
that I never mix alcohol and music. Alcohol on stage is a
career-killer, and will guarantee that the band can never achieve whatever
level of success they might otherwise have attained. So, I'll be glad for chances
to sit in with them again - but, wouldn't want to be a band member.
Friday, 11/17/06 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, during the last several songs of the last set of the night.
This began (of course) with the song "Evil Ways" by Santana. It also
included "Brick House" and "Play The Funky Music" in a
medley arrangement.
Everythings went smoothly, and we all had a great time. NOTE: Before the set, I'd talked
w/ the keyboard player, Dan, and told him about the negative comments I'd received
from a couple of people who'd been in the crowd during previous sit-in sessions; that,
they couldn't hear the bongos. Dan must have made some adjustment, because when I
checked w/ those same people later, they told me that this time they'd been able to
hear them. (I then passed that info on to Dan, once I'd learned it.)
Saturday, 11/18/06 :
In the LVD Casino's "Thunderbird Lounge".
I played acoustic 12-string guitar and sang, as an extra attraction between sets.
This did not go smoothly. The room was fairly well-attended this evening,
and although it really had no effect on me (re. my performance of the music), I
guess it made the band leader feel nervous; increased his anxiety, that
everything should go well. My equipment setup consisted of my 12-string acoustic
guitar, a single tall chair, and 2 microphones on stands w/ boom arms. Instead of
being set up on stage, my equipment was to be set on the dance floor near the
stage. Instead of the band taking their break and entertainment services being
passed to me, there was a CD played as soon as the band left the stage. Instead
of playing the 2 songs we'd discussed, I was told that I would only be allowed to
play one. Once the equipment was set up, I was told I needed to wait until
everyone left the dance floor. That took 2 head-banger songs duration - and, then
in the middle of the 3rd head-banger song, I was told that as soon as it was
done, I would need to hurry up and play. The moment I finished my song and left
the dance floor, playing of the head-banger CD was resumed. So, I was required to
revise my planned venue on the spot, stripping it down to only one song, and then
my potentially pretty 12-string guitar & vocals work was required to be
performed immediately following a heavy metal head-banger song from
"AC/DC" (a band I can't stand). I was bracketed by head-bangers;
before, and after. I did what I could, but the truth is that the circumstances
simply wouldn't allow a performance the audience could focus on and appreciate.
To put it in a nutshell, I have the feeling that it was a mistake to attempt to
perform under these circumstances, and that the correct decision for me to make
is that I should avoid trying it again.
ADDENDUM, 12/16/06:
I've had a little time to reflect on what I wrote before, and need to add this in
defense of Dan: He was under some heavy-duty pressure, that everything should go
well. Two points in particular should be stated in his defense, and both hinge
upon the band's "frontman"; the lead vocalist, who also does the
rhythm guitar work:
1) In a gig they'd had just recently (the previous week?), the guy got so drunk
that he puked on stage, and
2) The guy was doing all he could to get smashed during the current gig.
This is a terrible dilemna for the band (how can they prevent it?), and a huge
threat to its ability to continue getting gigs; i.e., when word gets around
that the band's frontman might puke on stage during the performance, nobody's
going to want to hire them. Realizing this, I have to cut Dan some slack, re.
the bracketing of my music with that head-banger CD garbage. He's worried, and
trying to make sure absolutely nothing goes wrong. Unfortunately, he's
fretting over a minor issue (my performance), because he feels he doesn't have
any effective action available, to fix the real problem (band members drinking
on the job). I wish them well, and hope they find some solution,...
Saturday, 05/26/07 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, during the three songs preceding the last song of the last set of
the night. (I left stage, and they played the last song w/o guest performers.) I
was familiar with the songs, but the only one I remember knowing the name of, was
"Brick House".
The "Bear Creek Band" has a new guitar player, in replacement of the
previous guy, Dave. The new band member's name is Kevin. He's a talented guitarist,
and a good singer; but the group hasn't quite got their groove yet. He seems like a
nice guy; a relatively stable personality, whose ego didn't bloat from stage work.
I figure it will just take a little time, till they've all accustomed themselves to
the change from Dave to Kevin, and till Kevin has acclimated himself to working with
the "Bear Creek Band". I should also mention, that (I had the impression
that) Barry did a lot less drinking on stage this time. He seemed more at ease and
focused, than the past few times I've seen him. This makes me wonder if there wasn't
some excessive level of tension in the group from Dave's presence, that they weren't
letting the rest of the world catch on to (personality conflicts, etc.); a tension
which, now that Dave is gone, has dissipated...(?) Given my last encounter with
Dave (he'd joined a country band that showed up there, and wouldn't talk to me), I
figure he was the cause.
Everythings went smoothly, but I had the feeling that I wasn't quite in the groove.
I mean, I was near the groove, but not really in it. I figure it's at least
partially due to a lack of sleep; and, partially, because I've spent most of the
preceding week focused heavily on guitar instead of bongos. And, perhaps, at least
partially because the band with its new line-up hasn't quite got its groove in gear
without me being added into the mix. What I mean, is that with them still working
out the finer details of how the newly mixed group will function, there wasn't a well
established groove pre-existing, for me to just fall into line with.
Monday, 05/28/07 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, during two songs in the middle of the last set of
the night. (I left stage, and they played the rest w/o guest performers.) The
first song was (of course?) "Brick House". The second was one I
wasn't that familiar with (& don't know the name of) - a country tune,
called for by the new guitarist, Kevin.
I was more in the groove, this time. I attribute it to two facts and one
probable factor: Fact One, I'd had enough sleep; and Fact Two, I'd re-tuned
the treble drum of the larger bongos set (I normally use two sets to get a
range of 4 pitches to work with). The treble drum's pitch had dropped during
the time since I last tuned it. I think it's because of the change in weather;
it's warmer now, and moister - and, the fact that I've done a lot of
drumming between the previous tuning and now. The probable factor would be that
this was the 4th night in a row of the band's engagement at the LVD Casino.
They'd had 3 previous evenings in a row, to settle in and acclimate themselves
to working in that particular room. With the band fully in gear, it made it
much easier for me to catch the groove and dance around in it. Judging by the
rest of the band, I guess I did okay...(!)
I should also mention that I wasn't the only one who noticed the decrease in
Barry's drinking on stage. Others mentioned it - and, he mentioned it
(twice), apologizing to a couple of the people in the crowd for his lack of
imbibing; promising, that near the end of the night he'd pound a couple down
and do some "team drinks". I'm glad he's developing some self-control
re. this issue. It increases the chances that the band will attain some of
the level of success they have the potential for.
Saturday, 08/31/07 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, during the last two songs of the last set of the night.
(I left stage, and they played one encore song w/o guest performers.)
The first song was "Evil Ways", by Santana. The second was one I
was only sort of familiar with (& don't know the name of) - a rock tune,
called for by Barry.
This session went fairly well, generating several compliments from various people,
including some of the band members. What stands out in my mind as indicative of
a good session, is that when we were performing together, a lot of people got out
on the dance floor, and the applause was noticeably enthusiastic at the ends of
the songs.
Sunday, 09/02/07 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, during the last two songs of the night. (This was the last song,
plus the encore.) The first song was "La Grange", by ZZ Top. The second
was "Talk Dirty To Me" (don't know the name of the group).
This session went well, generating several compliments from various people,
including some of the band members. It was reassuring to me, when Rich (the drummer
of the group) told me I'd done well. I've always considered Rich to be one of the
best drummers around - so, a compliment from him carries extra value, for me.
I should also mention, although absolutely nothing came of it, that before I went
up on the stage, an acquaintance of mine who works at the casino pointed out to me
a guy in the crowd who was a professional musician - a guitarist for the group
Lynyrd Skynyrd. It's too bad Bear Creek had already done the song, "Sweet Home
Alabama", earlier in the night. (None of the groups like repeating songs
on any given night - it seems to be some unwritten rule everyone goes by, as if
breaking that rule is a mark of being incompetent, lacking repertoire.) I'll bet the
guy would've been intrigued, if he'd heard the way his group's song sounds with
a bongos accompaniment!
Monday, 09/03/07 :
In the LVD Casino's "Thunderbird Lounge".
I played my mini-djembe, during the last song of the night, "La Grange",
by ZZ Top.
This session went okay, but I think it generated less enthusiasm from the crowd
compared to the previous time I'd played the mini-djembe (with the band
"Westside"). I'm not sure if I'll attempt to repeat using this instrument,
in situations where there's such a limited time for being on stage.
Saturday, 11/10/07 :
In the LVD Casino's "Thunderbird Lounge".
I played my recently-acquired Schalloch 10" rope-tuned djembe, during the last 3 (4?) songs of the night.
I didn't update this list right away, so I don't remember each of the titles; the one I do remember the title of,
though, was "Sweet Home Alabama". I think it's because that was the first time I'd played that
particular song on stage...
This session went well. There was only a small group in the lounge when I first hit the stage, so I wasn't
surprised at a lower level of applause than I'm used to. I did notice, though, that the group of people
watching increased by at least 50% after I started playing. I can take that as a vote of confidence and
encouragement, or consider it coincidence - I think I'll take it as the first of the two options.
After the show was over, I hung around talking with the guys from the band. When they all took off to elsewhere
to get ready to go, I hung around and waited for them to return - then, helped them shuffle all the equipment
outside to the waiting truck.
|
It's occurred to me that some of the people who read this web page might misunderstand some of the
things I've written in the entries for Bear Creeek Band, re. the issues surrounding drinking on stage.
Because of that risk, I've decided to enter what I'm writing now in a way that makes it stand out.
I want to make this clear: I like the members of the Bear Creek Band - they're my friends, and
they're good people! Also, I have great respect for them, appropriate for the talented, skilled,
professional musicians that they truly are.
|
|
|
|
Saturday, 03/22/08 :
In the LVD Casino's "Thunderbird Lounge".
I played my 14" Toca Djembe, during the next-to-last set of their engagement. Everythings went smoothly,
and we all had a great time.
Of special interest, is the fact that the Bear Creek Band has taken on a new member; a vocalist. Her name is Tammy.
I got to know her a little over the 2 nights they were at the Casino. Not only is she gorgeous - she's really sweet,
and has a beautiful voice. I look forward to the chance to see her again.
After the show was over, I helped them shuffle some of the equipment out to the truck. I have to confess I didn't
do as much as I otherwise would have - I was distracted, talking with wonderful Tammy. But, I did help a little...
I'm expecting some photos via email, from Tanny & from Dan. One picture, is of me & Tammy. Another would
be a signed photo of the Bear Creek Band, that I could resize(?) & insert into the Bear Creek Band entries section
with a link for reaching their website. (Like what I've done for Westside.) I'll probably put the photo of me &
Tammy onto my "Friends" page, and insert the signed band promo pic here. NOTE: I've decided against sending
a copy of the picture of me & Tammy to the self-absorbed kidnapper, Mary. I was tempted, but came to my senses.
The best course of action re. Mary is no contact at all with that malicious schizoid.
1) Friday, 05/23/08,
2) Sunday, 05/25/08, and
3) Monday, 05/26/08 :
These were all in the LVD Casino's "Thunderbird Lounge".
I played my 14" Toca Djembe, during the last set of each of these nights. Everythings went smoothly,
and we all had a great time.
The beautiful vocalist, Tammy Phillips, is still with the band, and I a few chances to spend a little time with her.
I should mention, that she did email me a copy of the photo as she'd promised, that her friend took of me & her.
(Look in my "Friends" section, to see it.) I'm still waiting to receive a signed copy of the band's promo
pic, for inclusion onto this page.
After the show was over on Monday night, I helped them shuffle some of the equipment out to the truck.
Saturday, 08/30/08 :
In the LVD Casino's "Thunderbird Lounge".
I played my 14" Toca Djembe, during 2 songs of the next-to-last set, and the entire last set of their engagement.
Everythings went smoothly, and we all had a great time.
NOTE: Tammy wasn't there, this weekend.
Sunday, 08/31/08 :
In the LVD Casino's "Thunderbird Lounge".
I played my LP Aspire bongos, during the last 3 songs of the last set of the night. I slipped up & forgot to
bring the mini-djembe, but it worked out okay anyway. Everythings went smoothly, and we all had a great time.
NOTE: The next night, Monday, Bear Creek was playing there again - but, I arrived at the casino extremely late,
so I lost my chance at sitting in with them for a 3rd session. Despite that, after the show was over, I helped them
shuffle their equipment out to the truck; i.e., just glad I could help.
Thursday, 08/12/09 :
In the LVD Casino's "Thunderbird Lounge".
I played my LP Aspire bongos, with my miniature LP Djembe on the tray, during the last 3 songs in the last set
of the night. Everythings went smoothly, and we all had a great time. After the show was over, I helped them
shuffle their equipment out to the truck.
NOTE: The band has undergone massive change of personnel. The only 2 people I knew from before, was the band
leader, Dan, and the sound/light tech, Jeanie. The roster now includes Dan, Jennifer (vocalist), Guy (vocals & guitar), and a drummer (also
did vocals) whose name I've forgotten.
|
|
|
"Bellinia"
|
|
|
Saturday, 10/21/06 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, accompanying the band during the song, "Oye Como Va"
by the latin music group Santana.
Everything went smoothly, although there was one hitch that made it less enjoyable than
it otherwise might have been. The band leader, Vic, wanted me to be front and center on
the stage; as fit his thinking re. guest musicians sitting in. I don't mind being the
focus of attention, but my personal preference when playing bongos is to be near the rear
of the stage, where most drummers are placed. (Bongos are, of course, drums.) The
hitch re. me sitting front & center, is that it placed me about two feet away from
the rack of spotlamps across the front center of the stage edge. The rack in question is
linked to a vibration sensor, and changes the currently lit lamp based on some algorithm
I couldn't pin down - but, changes based on some bass vibration having occurred. The
problem, is that I have very light-sensitive eyes. Being placed two feet away from the
spotlamps was painfully bright; not to mention the fact that the painfully bright
illumination in question kept shifting in a pattern I couldn't easily predict for the
sake of avoidance. Within about fifteen seconds of the song starting, I ended up shutting
my eyes - and, kept them shut for the rest of the song; i.e., I ended up playing virtually
the entire song with my eyes shut, front and center on stage, the primary focus of the
audience's attention. I just hope the light show from those continuously changing
floodlamps was entertaining enough to make up for my unusual behavior,...(!) I've learned
a lesson from this: I need to acquire some extra equipment - a pair of very dark
wrap-aroumnd style sunglasses, for the stage situations where the floodlamps are
painfully bright.
|
|
|
"The Bill Hassey Orchestra"
|
|
|
Sunday, 03/22/09 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, accompanying the group during the last few songs of the next-to-last set, and the entire
last set.
I'd made the acquaintance of the drummer, Rick, when the band "Boogie Junction" was playing at the
casino during February, 2009. Before the evening was over, he'd invited me to show up & sit in with the group
he's a member of, "The Bill Hassey Orchestra". So, this session was the result of that encounter.
The group was larger than average, having 6(?) members. I hope I'm not missing anyone, but I remember there being
2 electric guitar players, an accordion, a drummer, and 2 horn players. Several of the players doubled on other
instruments, also. Everything went smoothly, although there was one small hitch. I'd shown up thinking that there
would be a channel I could plug the microphone amplifying my bongos into, but there wasn't a channel available.
So, I played unamplified the entire time I was on stage. Fortunately, my new bongos (LP Classic II instead of the
LP Aspire's I'd had previously) have excellent volume. They were able to cut through the mix & be heard, even
when I was playing them relatively softly. Everyone in the band was very friendly, courteous, and skilled.
I had a little problem adapting to the repertoire, because it was so different than what I'm used to. But, once
I got in the groove, I think I did okay. I received several compliments from various band members, and an offer
to return and sit in again, from Mr. Hassey. I intend to take him up on it. The group did several polkas, some
mexican-style pieces, and some slow romantic pieces. I intend to try to track down some recordings of some of the
music they do, for the sake of practicing their repertoire; for example, "Happy Trails To You" (title?).
Saturday, 04/11/09 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, accompanying the group during the entire last set. This worked out very much the same as the
previous time I'd sat in with them, except I arrived quite late; just as the group was going on break before the
last set of the evening. I connected, and then immediately set up my bongos setup on stage. I had just enough time
for a cigarette and a small amount of chatting, then the group returned to the stage (me, with them). Despite
feeling a little like a rush job, it still worked out well.
Wednesday, 08/05/09 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, accompanying the group during the entire last set. This worked out very much the same as the
previous times I'd sat in with them. I arrived quite late; just as the group was going on break before the
last set of the evening. I connected, and then immediately set up my bongos setup on stage. I had just enough time
for 2 cigarettes and a small amount of chatting, then the group returned to the stage (me, with them). I didn't
have the feeling (as in previous sessions) like I was needing to rush to get set up, etc. This was much more relaxed,
and worked out well.
Saturday, 10/04/09 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, accompanying the group during the entire last set. This worked out very much the same as the
previous times I'd sat in with them. I arrived quite late; about 10 minutes before the group's last break was over.
I had just enough time to make connnection, fetch my equipment inside, and get it up onto the stage. I set up the
bongos & stand while the band was playing their 1st song of the last set. About halfway through the song, I
was ready, so I just jumped in and started playing. It worked out okay, although I was a little timid for a while;
not trying any fancy beats - just keeping it simple, for the slow songs they did. Toward the end of the set, they
did a more upbeat polka, and I cut loose a little.
Sunday, 05/08/10 :
In the LVD Casino's "Thunderbird Lounge".
This was an afternoon session, lasting from 3:30 PM till 7:30 PM. I managed to arrive by around 5:15 PM, which
provided me with some time to just sit and enjoy the show. When the band went on break, I made contact and then
set up my bongos on stage, ready for the next set to begin. I accompanied the group during the entire last 2 sets.
This worked out very much the same as the previous times; which is to say, very well. I wasn't sure if the
audience could actually hear my drumming above the other instruments - but, I knew the band could hear me, and
was satisfied with that. It both surprised & pleased me, when after the show I was approached by a man who'd
been in the audience, and received a compliment on my drumming. In some ways, sitting in with this band is a lot
like sitting in with the "Preservation Hall Jazz Band". There were 4 horns, an accordion, 2 regular
guitars, a bass guitar, a mandolin, and a drummer. And, me on bongos. The musicians are all over age 50, pro's
& teachers, and they play a lot of polkas & "old time" music. It's a treat to sit in with them!
Saturday, 06/26/10 :
In the LVD Casino's "Thunderbird Lounge".
This was an evening session, lasting from 8:00 PM till midnight. I arrive late, but managed to get there before the
band's last break. At break, I made contact and then set up my bongos on stage, ready for the next set to begin.
I accompanied the group during the entire last set. There were no problems at all. As always, it was a treat to sit
in with them!
Sunday, 07/04/10 :
In the LVD Casino's "Thunderbird Lounge".
This was an afternoon session, lasting from 4:30 PM till 8:30 PM. I managed to arrive by around 7:00 PM, which
provided me with some time to just sit and enjoy the show. When the band went on break, I made contact and then
set up my bongos on stage, ready for the next set to begin. I accompanied the group during the entire last set.
I had a great time, and they all seemed to enjoy the addition of bongos into the mix.
|
|
|
"Brave New World"
|
|
|
Saturday, 07/25/09 :
In the LVD Casino's "Thunderbird Lounge".
I played djembe, accompanying the group during about half of the last set.
This band had 5 members present during this gig. Tommy, the band leader, played bass & sang. His wife,
Natalie, sang & played keyboard. Joe was the drummer. There were 2 other people whose names I didn't catch;
a big guy with dreadlocks who sang & played cowbell (the crowd loved that!), and a guy who played 6-string
electric guitar & sang. They were all very nice people, and talented musicians. Their repertoire seemed to
be primarily funk & soul - which, of course, I considered to great; a breath of fresh air, since most of the
bands being slated lately at the casino are either country acts or heavy metal (neither of which really trips
my trigger, aesthetically).
I set up in a back corner of the stage; which, is actually the arrangement that I prefer as vs. being put
front & center. It's not that I'm at all stage-shy; it's just that I think that's the normal placement of
drummers, toward the rear of the stage; i.e., as a drummer, that's where I should be. It worked out well. I
have the impression that Tommy was surprised that I turned out to be a fairly good drummer. Hopefully, I'll get
the chance to sit in with them again. Not only was it a lot of fun, but it was a great opportunity, to be able
to sit in with people who are capable of doing funk & soul. (Thanks, Tommy!)
NOTE: Tommy said he'd email me a photo for inclusion onto this page. When it arrives, I'll make it available
for visitors to see.
|
|
|
"Broadband"
|
|
|
Saturday, 11/19/07 :
In the LVD Casino's "Thunderbird Lounge".
I played djembe, accompanying the band during their last two sets of the night.
Everything went smoothly, and I have the feeling that everyone involved had
a great time. However, this was an unusual session, in that (at least) 2 of the
5 women who are the normal musicians in "Broadband" weren't there for
this gig. There was a pair of male musicians who'd been contracted for filling in
while 2 of the women were absent. Because of this point of difference, I'm going
to go into slightly greater detail than I usually do.
Here's a list of the people who were present during this session,
and links for 2 of their websites:
|
|
*)
|
Shelly Bush (vocalist)
|
|
*)
|
Karen Dee (Drums & vocals)
|
|
*)
|
Erin Holiman (guitar & vocals)
|
|
*)
|
Nathan Stoops (Amplified acoustic fiddle)
|
|
*)
|
Victor H. Ruiz (guitar & vocals)
|
Almost finished... I need to add that I'm not sure whether or not Erin is
a regular member of Broadband. I suspect she is, but I wasn't able to verify
that via searching online, and couldn't read the "about Broadband"
section at their "myspace" web page (faint black lettering
superimposed on a dark picture made it illegible) for the sake of gathering
details.
I'll cap off this entry by mentioning this: The musician who really tripped my
trigger in this band, was the drummer/vocalist, Karen Dee. She's an excellent
drummer, an exceptional blues singer, and writes her own songs. (I dearly love
good blues, soul, funk, and jazz.) Her voice reminded me of Bessie Smith. She
told me she's scheduled to return to the LVD Casino in a couple of weeks with
a different band - and, I can't wait! I'm a fan.
|
|
|
"Center Stage"
|
|
|
Saturday, 04/05/08 :
In the LVD Casino's "Thunderbird Lounge".
I played my 14"Toca Djembe, accompanying the band during 3 songs.
Everything went smoothly, and we had a great time. I could have played more than 3 songs, but I cut my sitting-in
session short due to the problem I'm been having with my right arm; I had my elbow wrapped w/ an Ace bandage, to
minimize the strain, hoping to be able to perform w/o hurting myself. I wasn't feeling pain, but that's normal -
I don't feel the pain until I stop playing, and then if I've hurt myself I end up paying for it. It seemed to
work out though, as a protective measure. I didn't feel that my condition had relapsed, when I was back in my seat
out in the audience.
I should mention here, that the band announced that they intend to disband the group, this next September, 2008.
They stated the need to spend more time with their children (they all have kids), as their main motivation for
making that decision. It's a shame they're breaking up the group. They're all nice guys, and talented musicians.
But, I respect the fact that they're putting family before profit - more people should do that.
|
|
|
"Cold Hard Cash"
|
|
|
Saturday, 01/05/08 :
In the LVD Casino's "Thunderbird Lounge".
I played my bongos, accompanying the band during several songs.
It's worth mentioning, that hearing the name "Cold Hard Cash", I wasn't very optimistic about the
band before actually seeing them. I figured w/ the negative connotations, it would probably turn out to be some
kind of hard rock or heavy metal band. Instead, what I found when I walked into the lounge, was a very professional
appearing & sounding R&B ensemble w/ 6 members on stage and a mixing board stand manned by a sound &
lighting tech.
Everything went smoothly, except for one minor hitch - the band's mixing board was chock-full, with no channels
unused & available for plugging the bongos mic cord into. So, I sat on a chair just off stage at the edge of the
dance floor, and played unamplified during all of the songs I sat in on. It seemed to work out okay, despite
problems in the past re. bongos being audible when unamplified. Everyone I talked to about it said they heard
me okay. I think the difference as vs. the times in the past when people couldn't hear the bongos, is that I was
off stage - which put me nearer to the audience, and w/ very few obstacles between the bongos & the audience.
|
|
|
"Crossroads"
|
|
|
Friday, 04/17/09 :
In the "Station Pub & Conference Center", in Iron River, MI.
I played my bongos, accompanying the band during several songs. Also, played & sang one song using guitar.
This band had 3 members present on the evening I was there:
(1) Kevin : A man who sang, played guitar & mandolin.
(2) "K." : A man who played a drumset composed of congas, bongos, cymbals, & bass drum, and sang, and
(3) Dan : A man who played keyboard & guitar, and sang.
I'd never been to the Station before, so this was a step into the unknown for me. It turned out to be a cozy joint;
nice, large, half-oval bar, a few tables to the side, and a couple of rooms in the back w/ tables & chairs for
when groups might schedule events. It also turned out to be a non-smoking bar; not my favorite situation...
Everything went smoothly, although it was a little strange for me to be sitting in with a band who already had
someone playing bongos. (I think next time, I'll bring a Djembe instead.) I also played & sang "Me &
Bobbie Magee" using guitar, but I wasn't in top form. I used the keyboard player's Washburn amplified
acoustic guitar, sitting on his stool behind the keyboard, while he worked my bongos. It was very tight quarters,
and the mic was less sensitive than I'm used to; I had to be within approx. 3 inches, for it to work right.
There were also a couple of other people who sat in with the band; a man who played harmonica, and his sister who
sang.
Friday, 05/01/09 :
In the "Station Pub & Conference Center", in Iron River, MI.
I played my Toca brand Djembe drum, accompanying the band during several songs. Also, played & sang 2 songs
using Dan's guitar.
There were 3(?) other guest performers there that evening. I saw a man playing guitar, sitting in with the band
when I first arrived. I didn't catch his name... The harmonica man & his singing sister were there, as well
as another harmonica player. Everything went smoothly, and we all had a good time. There was even a group
sing-along at one point. This was a friendly place, and everyone treated me well. At the end of the evening, I
played & sang "Knocking On Heaven's Door" (by Bob Dylan) & "Down By The River"
(by Neil Young, using Dan's guitar.
Friday, 05/08/09 :
In the "Station Pub & Conference Center", in Iron River, MI.
I played my Toca brand Djembe drum, accompanying the band during several songs.
I arrived very late, this time; approx. 11:30 PM. There was only about a half hour left before the end of the show.
I walked in while they were in the middle of a song. Knowing there was so little time, and having been invited back,
I didn't inquire at all - just found a chair, unpacked my djembe, and joined in as soon as I was set up.
Kevin & Dan were there, but not "K.". There was a guitar player I hadn't met yet, sitting in with
the group. I could tell he was curious/unsure about me; walking in, setting up, & joining in unannounced - but
as I played, I could see him accepting me. He was a very good guitarist. (After the end of the show, I introduced
myself to him and got his name; "Charlie".) Everything went smoothly, and we all had a good time. There
was a group sing-along again, doing "Will The Circle Be Unbroken?". I'm getting the impression that this
is a regular feature of the show. When the show was over, everything packed up quickly, so I didn't get to do
any songs using guitar & voice.
Friday, 05/22/09 :
In the "Station Pub & Conference Center", in Iron River, MI.
I played my Toca brand Djembe drum, accompanying the band during several songs.
I arrived earlier than last time; approx. 10:30 PM. There were a lot of people there; about double, compared to
the last time I attended. This was also the largest the group's been, having all 4 people I'd previously sat in
with, all in attendance: Kevin, Dan, "K.", and Charlie. With the large group, large audience, and very
limited floor space for the band, it was difficult to find a place for me to be while playing. I ended up placing
my chair tucked back against the front side of "K"'s drum setup. Definitely less than an ideal
situation, although not arduous. The worst parts (which weren't that bad, really) was (1) not being able to watch
"K" doing his drum work, and (2) A minor annoyance: Kevin's guitar had a long piece of wire extending
off one of the tuning pegs. Every now & then throughout the time I was there, that piece of wire would
catch at my hair, plucking some hair upward as the end of the guitar moved past. The first time it happened, it
took me a few moments to figure it out. After that, it was just a distraction. Other than that, everything went
smoothly, and we all had a good time. There was the usual group sing-along again, doing "Will The Circle Be
Unbroken?". When the show was over, the bartender quickly turned on the canned music. That left no time at
all, for me to do a song on guitar w/ voice. After that, everything packed up quickly. I hung around for about
another hour, talking with people.
Friday, 06/12/09 :
In the "Station Pub & Conference Center", in Iron River, MI.
I played my Toca brand 14" Djembe drum, accompanying the band during several songs.
I arrived approx. 10:45 PM. There were a smaller audience, this time. Kevin, Dan, and Charlie were there, but not
"K.". It was difficult (again) to find a place for me to be while playing. I ended up placing my chair
tucked back between a tall table on one side, and an amplifier on the other. It made playing a little difficult,
because I had to keep my elbows tucked in slightly. Other than that, everything went smoothly, and we all had a good
time. There wasn't the usual group sing-along again, doing "Will The Circle Be Unbroken?". I think it's
because a couple of the regulars I've seen in the past weren't there... I learned something about the canned music
I've heard there in the past after the show: It's controlled by Dan, the keyboard player. He's got the controls for
it by his keyboard. So, when the show was over, and I thought that the bartender had quickly turned on the canned
music, it wasn't the bartender - it was Dan.
Friday, 06/19/09 :
In the "Station Pub & Conference Center", in Iron River, MI.
I played my Toca brand 14" Djembe drum, accompanying the band during 2 sets.
I arrived very early; approx. 9:00 PM, because I was expecting to meet up with Bobby from the band
"In The Pocket". The band "Crossroads" was in the middle of their first set of the night, so
I just made my presence known, then hung around outside where I could smoke cigarettes & wait. (Bobby never did
show up.) There was a big audience, this time. Kevin, Dan, and Charlie were there. There was also a man playing
guitar and singing, that I hadn't met yet. I learned later, that his name was "Mark".
I set up my equipment during the band's first break. I managed to get myself mainly out of the 3-foot wide path
where customers would walk past. I was glad that nobody walked into me, fell on me, spilled a drink on me, etc.
Everything went smoothly, and we all had a good time. There was the usual group sing-along again, doing
"Will The Circle Be Unbroken?". There was also another guitar player/singer (did 4 or 5 songs), whose
name I didn't catch, and a guest vocalist who sang a country song.
What really put the icing on the cake for this evening, was what happened after the show was over. When the
bartender was paying the band, he gave me a $20 tip for my contribution to the night's entertainment! It was
completely unexpected. All I can really come up with to explain it, is the fact that people really enjoy my
hand-drumming. So, the tip was connected with the fact that the bar had a very good night's sales, and was also
a tangible acknowledgment of the contribution my hand-drumming had made toward that occurring.
Friday, 06/28/09 :
In the "Station Pub & Conference Center", in Iron River, MI.
I played my Toca brand Djembe drum, accompanying the band during their last set of the night.
I arrived very late, this time; approx. 11:00 PM, just before the band's last break. In attendance were Kevin,
Dan, & Charlie. I was going to set up at the far end of the row, but the owner requested that I place my chair
in the same place as the previous time. There with my back to Dan, Kevin to my right, and Charlie to my left, I was
very much the centerpiece performer. As I've mentioned before, people really like that drum!
Everything went smoothly, and we all had a good time. There was the usual group sing-along, doing
"Will The Circle Be Unbroken?". One of the guys had an obligation to attend to immediately after the
show, so when the show was over, everything packed as quickly as they could achieve. So, again, I didn't get to
do any songs using guitar & voice.
Friday, 07/03/09 :
In the "Station Pub & Conference Center", in Iron River, MI.
I played my Toca brand Djembe drum, accompanying the band during their second & last sets.
I arrived approx. 9:30 PM, just before the band's 2nd break. In attendance were Kevin, Dan, & Charlie.
I was going to set up in the same place as the previous time, in front of Dan's keyboard, but the owner didn't
want me there this time. It was busy, and he was worried that people would be walking into me. So, he had me set
up at the far end of the row, where I'd wanted to set up the previous time. The show went smoothly, and I even had
a "solo" during the song, "Kansas City". It was a pretty pitiful solo, in my eyes, but it was
(seemingly) very effective. I hadn't expected any solo - Kevin kind of threw it at me in the middle of the
song; said, okay - drum solo! So, I did... sort of... Later on, Kevin told me that even when I did that very simple,
very short solo, the place just went dead silent, listening. He thinks I'm capturing people's attention on the
basis of "personality", but I disagree. It's not really me. As I've stated before, people really
like that drum!
|
|
|
"Diamond Jim and the Red Hots"
|
|
|
Saturday, 05/23/09 :
In the LVD Casino's "Thunderbird Lounge".
I played my 14" Toca Djembe, accompanying the band during the last set of the night.
This band consisted of 3 guys. There was a electric lead guitar player who also sang (Jim), an electric bass
player who also sang (whose name I didn't catch), and a vocalist named Antonius. I'd seen them perform once before,
and was really looking forward to having the chance to sit in with them. They're very professional, and play mainly
within the genres of funk (my favorite) and soul. I'd brought my small amplifier with me, but Jim requested
that I play the drum unamplified. I think this was at least partially due to a lack of time for setting up the
amp, and partially due to his uncertainty re. what quality of drumming could be expected out of me. Although
playing unamplified requires much more physical effort and cuts the tonal options for my notes down to about 3,
I didn't object. Anyway, the set worked out well, and the band members complimented me on my playing. Jim
offered to have me sit in again when the band returns in August, and next time we'll use an amp for my drum.
Saturday, 08/22/09 :
In the LVD Casino's "Thunderbird Lounge".
I played my 14" Toca Djembe, accompanying the band during the last set of the night. As Jim had promised, we
used amplification on my djembe during this 2nd session. We did a quick level check right before the set started.
There was a small problem w/ feedback from my drum's head, but cutting the treble & mid-range values solved it.
After that, everything went smoothly, despite my feeling of not being quite in top form. I really like sitting in
with these guys, because their repertoire leans so much more toward jazz & soul than most of the bands I see at
the casino. I put in a good comment card into the casino's box, thanking them for having this band, and requesting
a return.
|
|
|
"Flying Feather"
|
|
|
Saturday, 01/05/09 :
In the LVD Casino's "Thunderbird Lounge".
I played my 14" Toca Djembe, accompanying the band during the last set of the night.
This band consisted of 2 electric guitar players, a electric bass guitar player, a drummer, and a female vocalist.
(The vocalist wasn't present, during the set I sat in on.) Everything went smoothly, except for one minor glitch:
The only convenient place for me to be on stage with them, placed me in a spot where the volume levels were very
high. I had the drum set about a foot behind & to the left of me, and a stack of 4 amplifiers about 4 feet
behind to the right. I could barely hear my djembe - so, although it was being mic'ed, I really had to beat on it
to get it loud enough for me to hear it too. As a result, most of the tonal phrasings I normally use when practicing
had to be abandoned in favor of achieving volume. This has brought me to a conclusion - that, I need to find a
pre-amp with dual outputs from a single channel, as a stage accessory. I need to be able to hear what I'm doing,
in order to sound good. I need to be able to run one output from the pre-amp to whatever amp system the band
uses, and have a 2nd output running into my K-44 headphones. It'll look a little strange, but it should do the
trick. (The K-44's are high quality, but they let me hear the room sounds.) Once I get this worked out, hopefully
I'll never again face the problem of not being able to hear what I'm doing.
NOTE: My friends who'd been out in the audience told me after the show, that they hadn't been able to hear my
drumming at all. I don't think the guy working the amps knows about this, because I didn't find it out until
after the show was all over.
|
|
|
"The Jacob Rice Band"
|
|
|
Saturday, 10/06/07 :
In the LVD Casino's "Thunderbird Lounge".
I played my newly acquired Schallock 10" Djembe drum, accompanying the band during several
songs:
1) "Spirit In The Sky" by Norman Greenbaum,
2) "La Grange" by ZZ Top,
3) "Pretty Woman" (not sure of author)
4) "Pride And Joy" by S.R.Vaughan, and
5) "Save A Horse, Ride A Cowboy" by Big & Rich.
Everything went smoothly. My discussion with Jacob re. sitting in didn't cover the questions of entrance to
performance, so this was a little different than most of the other times I've sat in with bands. Basically, I just
carried my drum up to the stage and took a seat on the edge, when I heard them doing a song I felt would benefit
from addition of Djembe. Since I was doing this unamplified, I'm not sure how much the crowd could really hear my
drum. I know some of them could,... My guess, though, is that the people at the rear of the crowd, up by the bar
area, couldn't hear me over the amplified instruments. The first 2 songs were one after the other, so I didn't leave
in-between. The others were done individually. The members of this band were quite talented, and I enjoyed performing
with them. I'll be looking forward to the chance to do it again at some future time when I've become more fluent
with the Djembe. I'll also have to figure out some way of bringing my own amplification for my drum - and, remember
that I need it with this band.
Saturday, 11/01/08 :
In the LVD Casino's "Thunderbird Lounge".
I played my LP Aspire Bongos, accompanying the band during the last 2 sets of the night. We played all the
songs we played the last time I sat in with them, as well as a large number of songs I didn't know. The most
noticeable one that was new as vs. last time, was "Voodoo Child" by Jimi Hendrix. They did a great
job on it, too! (Not bad for a band that plays mainly Country, eh?)
Everything went smoothly. This worked out very similar to last time. They didn't have any open channels for me
to run a microphone cable into, so I was unamplified. However, I was more comfortable than last time, because I
pulled one of the comfy padded armchairs on rollers over by the stage, and sat in that while I played with the
tray across my lap. There weren't very many people there tonight... Maybe 9, at tables in the lounge, and
7 or 8 sitting at the bar. The long dry spell without live bands has really hurt attendance at the casino's
functions. I hung around talking with people after the show ended, and when the band was ready to start shuffling
equipment out to their trailer, I helped them move the stuff from the lounge room to a staging area just inside
casino's main entrance. They told me there wasn't much more I could do to help, after that was accomplished, so
I got my equipment from where I'd left it in the lounge, and went home.
|
|
|
"Jerry Allen and the Knife River Band"
|
|
|
Saturday, 10/13/07 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, accompanying the band during several songs. This included the
last song of their next-to-last set, and the entire last set.
The band member in attendance were: Jerry doing amplified 6-string acoustic guitar
& vocals, Michael doing 6-string electric guitar & vocals, and Chad doing
drums & vocals. These guys are all talented, and nice people.
There were 2 or 3 country songs I accompanied the band during, which I wasn't
familiar with at all; didn't have a clue how they went, before we played them.
(Luckily, I've been practicing!) There was one song which was an original by this
band; a country song, which again, I don't know the name of. The one song we did
which I was actually familiar with before we played it, was the song
"Sweet Home Alabama". Despite all of the above, things went smoothly
during this performance. During the songs I wasn't familiar with, I simply cut back
the volume of my strikes on the drums, and kept the rhythm pattern simple. During
"Sweet Home Alabama", I cut loose - increased the volume, and introduced
more comlex rhythmic and tonal patterns. All in all, I think this was a good time
for everyone concerned. My only reservation about this band, is the fact that they
were drinking on stage.
|
|
|
"Johnny Green and the Green Men"
|
|
|
Thursday, 06/01/06 :
In the LVD Casino's "Thunderbird Lounge".
I sang vocals for the song, "Knockin' On Heaven's Door" by Bob Dylan.
Friday, 06/02/06
and
Saturday, 06/03/06 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos accompanying the band for about an hour, each of these nights.
Everythings went smoothly, and we all had a great time. Johnny invited me to sit in with
them any time they're there at the Casino.
Friday, 12/01/06
and
Saturday, 12/02/06 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos accompanying the band for the entire last set of the
night (about an hour) on Friday, and the entire last 2 sets of the night (about an hour and
a half stage time) on Saturday.
Everythings went smoothly, and we all had a great time. The only real glitch, occurred between
the sets. Most of the break was past, but I had an emergency run to the washroom. By the
time I was done, and got back into the bar, the band was already playing for the last set.
I just climbed the stairs, sat back down on my chair w/ bongos at the ready, and resumed playing.
Johnny asked where I'd been, and seemed satisfied w/ my answer, when I told him. No problem.
It's worth making note of the fact that after the show was over, Johnny gave me a phone number
w/ names, to call and seek employment w/ a band. I haven't done it yet (it's now 12/05/06),
because I haven't worked out my transportation issues. If I joined a band, I'd need to be able
to travel to reach the gigs - and, I don't have a working car at the present time. I think it's
better to pass on the offer, as vs. screwing up the opportunity and making Johnny's referral
seem ill-advised on his part.
Saturday, 02/03/07 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos accompanying the band for the entire last 2
sets of the night (about an hour and a half stage time).
Everythings went smoothly, and we all had a great time. There was a different
vocalist with the group this time. Her name was Kerri (sp?). She was tall with
dark hair, and had a good voice. Her stage presence reminded me stylistically of
lounge singers from the 1920's, or 1940's. She was fairly pretty, with strong
features, and wore a black dress that reached approx. to her knees. It's worth
mentioning, that although I didn't bring my drums for sitting in with the band,
I was there during the last couple of hours of the band's performance on Friday
night. After the show, I saw with Johnny and some others, and talked. Johnny
let me play his bass guitar, sitting at the table with him. Unfortunately,
without amplification, nobody could really hear any of the notes I was playing,...
But, the fact that he let me play his guitar shows what a really nice guy he is.
Friday, 11/14/08
and
Saturday, 11/15/08 :
In the LVD Casino's "Thunderbird Lounge".
I played tabla accompanying the band for the entire last set of the night (about an hour)
on Friday, and bongos during the entire last set of the night (about an hour) on Saturday. Everythings went
smoothly, and we all had a great time.
I discovered via sitting in on Friday night, that I need to attain a better mastery of the tabla. When I'm
practicing at home, I can adjust the volume of the music I'm practicing to in order to hear the tabla clearly.
But, on stage, the drum is very hard to hear over the sound the monitor amps on stage are making; i.e., I can
hear the drum, but just barely. This made it very difficult, since the style of tabla playing I've come up with
relies heavily on fine shadings of tonal variations. So, I think I either need to come up with some solution for
personal monitoring of the tabla, or do a more thorough job of internalizing what the drum does when I play it, so
I can play more from memory of its sounds as vs. actually listening to what it does.
I should also make note of the fact that I didn't help the band load the truck. This was because I'd brought in
my 5-string acoustic violin to show them, and was playing it while they packed up.
Friday, 06/05/09
and
Saturday, 06/06/09 :
In the LVD Casino's "Thunderbird Lounge".
These 2 sessions were virtually identical. I arrvived just before the last set of the night
on both Friday and Saturday nights, due to family matters delaying my arrival. I played djembe accompanying the
band for the entire last set on both of those nights. Everythings went smoothly, and we all had a great time.
I helped the band shuffling the equipment out for loading the truck after the show on Saturday night, once they
had stuff packed up & ready to go. I had the feeling they were surprised that I'd helped... Maybe people who
sit in normally don't? After the truck was packed, and I was ready to leave, Johnny came up to me and told me I
could sit in with them "any time" - that, I'd really helped make the beat strong. I thanked him, and
told him "I try.". One thing I need to remember, though, is that they do the song "Black Magic
Woman" (by Santana). I hadn't practiced that one in a long time, so I had to fake quite a bit of it. Next time,
I'll be brushed up on it when I know they're going to be in town.
|
|
|
"J.P. & The Cats"
|
|
|
Saturday, 08/15/09 :
In the "Thunderbird Lounge", at the LVD Casino.
I arrived just before the band did their last set. I'd discussed sitting in with J.P. the previous night, so I
brought my djembe setup in with me when I arrived instead of leaving it in the car to go fetch later. There were
5 musicians in this band: Lead singer & guitar player (J.P.), a lead guitar player, a keyboard player, a
bass player, and the drummer. I didn't track it closely, but I think that all of them did some singing at one
point or another. Their music was rhythmically tight, and their harmonizations excellent.
I sat in with them throughout the entire last set. My placement on stage was less than optimum, being placed at
front and slightly to stage left, but it wasn't bad - I'd remembered to have my dark sunglasses ready for being on
stage, so the spotlights weren't as blinding as they would otherwise have been. (As I've mentioned elsewhere, I
think the normal placement of drummers is at the rear of the stage - which, is why I prefer having my djembe set
up there.) I could have sat down off the stage, at the edge of the dance floor, but J.P. preferred having up on the
stage - and, if I was to be on stage, then being put in that placement was a necessity. With 5 musicians on stage,
their instruments, mixing board(s), and monitor cabinets, almost all of the floor space on stage was already in use.
As far as performing goes, I was better prepared that usual. During my practice before showing up at the casino,
I'd intentionally used primarily power strikes instead of the lighter strikes that allow tonal nuances. This was
because I'd formed the expectation while watching them the previous night, that the volume levels on stage would
obscure the softer drum work; i.e., I needed to hit it hard, to be able to hear what I was doing. It turned out,
that my evaluation of the situation was right on track. I still need to work out some monitoring system for myself,
to deal with places where the ambient decibals are very loud. The bottom line re. all of the above, is that the
entire set went smoothly, and we had a great time. I hope the casino brings them back again! (I filled out a
comment card, and dropped it in the box at the casino, saying so.)
Definitely worth special mention about this band, is a theatrical "extra" that J.P. devised for the show.
At the start of the last set, he made an entrance from the side of the dance floor; walked slowly from there, up
the stairs, and onto the stage. He was wearing a huge rubber mask w/ wig, and a big fuzzy robe. He looked like a
character out of some fantasy movie; like a very old, sentient animal who was a wizard. Once on stage, he removed
the mask & attached wig - and, there was a pig mask! Removing that revealed a 3rd mask. Finally, taking that
one off revealed his own face. It was absolutely delightful - very creative, and entertaining.
I'd intended to help the band shuffle equipment out to the truck after the show, and even told J.P. that I intended
to do so - but, there really wasn't much of a chance. Most bands break down the stage gear and make a big pile in
front of the stage, then shuffle the pile out to the truck. This band shuffled things out the moment something was
broken down & packed away; i.e., no pile ever really developed.
|
|
|
"Luther Lewis and White Lightning"
|
|
|
Saturday, 12/08/07 :
In the "Thunderbird Lounge", at the LVD Casino.
I arrived late, and managed to get there just before the band went onto their last break. Changes are good,
that if I'd arrived earlier, I could have played longer - but, they were glad to see me, and had me set up right
away. So, I played djembe during the band's last set of the night; which ended up being a little bit less than an
hour on stage.
This was a band from Nashville, playing primarily country music, with the addition of selections from
other genres. In attendance were:
*) Luther, playing 6-string electric guitar and singing,
*) Jim, playing 4-string electric bass guitar and singing,
*) Scotty, playing 4-string electric violin and singing, and
*)
Karen Dee, playing drums and singing.
This was a fun session. These are all nice people, in this band - and, I especially enjoy it when Karen's
there on stage. She's got a song she created, that I just love. I think the title is "Shaky Ground"(?).
I heard it for the first time, when she was there about 3 weeks earlier with "Broadband", and Luther
was kind enough to let us do it while I was there on stage. (Thanks, Luther!) It's a treat, to be able to do that
one with her. When the show was over, and the band had the equipment ready, I helped them shuffle it out to their
van. This is probably the 3rd(?) time I've assisted in this manner after sitting in with a band, and I think I
should make it a habit; it's a small repayment, for their kindness letting me sit in.
|
|
|
"The Maxx Band"
|
|
|
Saturday, 08/12/06 :
In the large room adjacent to the "Thunderbird Lounge", in the
LVD Casino.
I played bongos during 2 sets, which (I think) added up to about an hour and a half.
This a large R&B ensemble, with a highly polished act. Everythings went smoothly,
and we all had a great time. They told me they'd love to have me sit in with them, any
time they're at the Casino - and, that the Casino had invited them back.
The following is a little side story, re. my list:
On the night I sat in with the band this entry relates to, I failed to get their
name. I thought I could get it from the Casino's monthly schedule - but I was
mistaken. This band's performance was filling in the 2nd half of the evening,
coming on after Martha Redbone. On the schedule, only Martha Redbone was shown. I
asked some people who'd been there that night, and they told me that the band I'd sat
in with was "West Side". I took that as being reliable, and wrote this entry
based on that info - but, tonight (Friday, 11/10/06) I met the real members of
the band "West Side". And, it wasn't them. They're from the same town
(Minneapolis), and they play basically the same type of music, but it was definitely
a different band. So, I left this entry in the list with question marks in place of
the band's name, in the hope taht I could eventually do some detective work and
complete the entry at some future time. Now, as of 05/20/07, I have the answer to
my lack of data and was able to file this in its proper place in the list.
Saturday, 05/19/07 :
In the "Thunderbird Lounge", in the LVD Casino.
There's been a change of personnel in the band, but 3 of the guys I'd met before
were there - so, I was able to sit in with the band for about half of their last set.
Everything went smoothly, and we all had a great time. The band leader told me they'd
love to have me sit in with them again, next time they're at the Casino. It's worth
mentioning, that this time I did bring my heavy-duty dark, dark sunglasses -
and, yes, it made a huge difference in my comfort level while on stage. The band
has 2 racks of spotlamps that are placed at stage edge, pointing at the band, with
(I think) 5 (6?) spots on each rack. That's a lot of light aimed at the stage!
The fact that I brought my sunglasses up there made it easy to deal with. So, as
you might guess, I intend to keep doing it despite the fact that the only really
suitable pair I have are a really bulky, dorky-looking pair. Made me feel a little
like Elton John...(!); except, of course, my total lack of the dressing in drag
thing (which, I simply don't get off on).
|
|
|
"The Melody Best Band"
|
|
|
Friday, 12/04/09 :
I sat in playing dejmbe with this band, in the LVD Casino's "Thunderbird Lounge".
This was a 5-person band. There were 2 guys who played 6-string electric guitars, a Bass Guitar player,
a Drummer, and Melody doing lead vocals. They were a well-rehearsed, tight act. My sitting in with them was a
last-minute affair, so I didn't have time to set up for amplifying my drum - which meant that in order for me to
be heard by the audience, I had to really beat on it. Despite that, it worked out well. There was another guest
performer present, named Bill. He was a musician from a band named "Recess Bullies", who happened to be
present in the audience during this show. He sat in, singing & playing guitar on a few songs, including 2 songs
while I was also there on the stage. Not only are the people in Melody's band wonderful musicians, they're also
very nice people. I gotta confess - when it comes to Melody, I'm a fan! After the show was over, we all sat around
in the lounge, and I did several songs for them, using my recently-acquired JBP guitar.
Saturday, 07/03/10 :
I sat in playing dejmbe with this band, in the LVD Casino's "Thunderbird Lounge".
This was still a 5-person band, although there've been 2 changes in the roster. One of the 6-string electric guitar
players is gone, and has been replaced by a female keyboard player. Also, there's a different drummer. I sat in
with them during the last 2 songs of their weekend. It could have been more, but I only managed to get there at the
very end of the show. Last time, there was some flack about me being on the stage with them - so, this time, I sat
in a chair down on the floor area just in front of the stage. These are nice people and very talented. I was glad
to see them again, and glad to sit in with them. After the show was over, we all sat around in the lounge. I'd
brought one of my fiddles with me, because Gary & Melody were interested in considering buying one. I played a
few songs, and gave a few pointers re. fiddling.
|
|
|
"The Michael Scott Band"
|
|
|
Saturday, 08/11/07 :
I sat in playing bongos with this band, in the LVD Casino's "Thunderbird
Lounge".
This was basically a 6-piece band (counting Michael's wonderful voice
as an instrument). There were 2 guys who played 6-string electric guitars, trading
off doing rhythm & lead. There was a Bass Guitar player, a Keyboardist, and a
Drummer. The Casino floor mgr. of the evening was new to the job, and hadn't ever
watched me sitting in before. He was worried that I might fall off the stage...(!)
I did my best to reassure him, but he felt he should limit his insurance risk via only
authorizing me being up there for one song. After setting up my equipment, Michael
& I talked about it again, and we decided we could probably get away with
extending it slightly, and do 2 songs instead of just one. The songs we chose to do
were:
1) "The Joker" by The Steve Miller Band, followed by
2) "Mustang Sally" by Wilson Pickett
Everythings went smoothly, and we had a great time. As far as I know, there was never
any adverse after-effect of us doing 2 songs instead of 1. There's a few things I
should mention before concluding this entry:
1) After the show, I learned from Michael that they're from
Nashville. I thought this was absolutely wonderful. It was the very first time I'd
ever sat in with a Nashville band!
2) I should mention the excellent job the sound engineer did. He
helped me get my equipment set up on stage while the band was on break, and then took
the time to actually do a sound check. He was very thorough and professional, in the
performance of his job. I was quite impressed.
3) I'd made an offer to Michael, to put a copy of a promo
pic for his band here on this webpage (like I did for the Westside Band). He told me
he liked the idea, and would have the woman who was in charge of the promo items
bring a picture to me, for that purpose. She never brought me the photo - which is
why it isn't being displayed here. If I ever do receive one, I'll add it onto this
page.
|
|
|
"Mozart's Cadillac"
|
|
|
Saturday, 04/15/06 :
In the LVD Casino's "Thunderbird Lounge".
I played 12-string Acoustic Guitar & sang, during 3 songs:
*) "Knockin' On Heaven's Door" by Bob Dylan,
*) "Brown Eyed Girl" by Van Morrison, and
*) "The Ballad Of John & Yoko" by The Beatles.
Everythings went smoothly, and we all had a great time. They told me they'd love to have
me sit in with them, any time they're at the Casino.
NOTE: This was the first band I ever sat in with, at the LVD Casino in
Watersmeet, MI.
|
|
|
"Otto Matic"
|
|
|
Thursday, 04/08/10 :
At "Lumpy's", in Eagle River, WI
I played unamplified djembe, accompanying the band for about 2 hours.
I arrived about 7:30 PM, bringing only my djembe setup with me for performing with. I picked up Chris (from the
"Hiawatha's Hide-Away" sessions) on the way down, so he could get there to join in & play. He
brought a hand-drum which I believe is considered to be a form of djembe; approx. 18" tall x 8" (?) head
diameter. There were several talented musicians there, including a steel guitar player. The drummer's name was
Mark, and he was the person who managed the mixing board & wiring setup for the event. Doug, the guitar player
I'd met at the HHA sessions, was also there; and the bass player he's associated with. The amplification setup
worked out fairly well, although I thought the resultant sound of my djembe was rather flat, lacking resonance and
overtones. Mark told me that next time, we would use one of his microphones (designed specifically for amplifying
drums), instead of the low-cost vocal mic I'd brought, to achieve a better sound. The one aspect of the session
which I hadn't expected, was that there were several long periods (5 or more minutes) of no music while musicians
on stage discussed what to do next and how to do it (chord sequences, etc.). I can't criticize them for this, since
I was strictly there in a guest status, but it seemed awkward to me (kind of like "dead air" on a radio
station). I sat next to a table in the middle (sideways) of the room, but at the forward edge of the set of tables,
so I was just off the edge the stage area. I didn't mind not being up front with the band - it was much more
convenient for me, having the table next to me for the sake of holding my coffee cup and ashtray. Also, with my
back to most of the crowd, I was able to focus more consistently on what this group of musicians that I was
unfamiliar working with, were doing musically. Maybe at some point in the future, I'll seek a different location
in the room, but for now I'm quite content with that spot and will seek to gain it again if & when I return for
another session. This night of music didn't last as long as most of the other events I've attended, ending
somewhere around 9:30 or 10:00 PM. (Next time, I'll try to remember to make note of exactly when the show stops...)
One thing's for sure, though: I can't show up late for this one, or I'll miss the chance to play!
Thursday, 04/22/10 :
At "Lumpy's", in Eagle River, WI
NOTE: This is being written in a very tardy fashion - about a week and a half after the event actually occurred.
So, please excuse me if it's light on some details, or incorrect in others; I'll just do the best I can.
I arrived about 7:30 or 8:00 PM, bringing only my djembe setup with me for performing with. On the way down I
stopped off at "Hiawatha's Hide-Away", and retrieved the mic stand I'd left there. Chris was unavailable,
and I'm not even sure if he's still in the area, so this time I was going alone. There were fewer musicians present
than the last time; the steel guitar player ("Bob"?), Mark, the drummer, Doug (guitar player), and
one of the 2 other guitar players who'd been there previously. I began the session sitting next to a table at the
far side of the room, at the forward edge of the set of tables, so I was just off the edge the stage area; basically,
choosing a place of convenience. A little while later, after Doug packed up his equipment, there was more room in
the stage area - so, I moved my chair, djembe, ashtray, & coffee cup up there. I did some vocal work (w/o tying
to drum at same time), singing the songs "Knocking On Heaven's Door" and "Helpless". I could
tell that the musicians there were both surprised & pleased - they'd never heard me sing before, so this was
an unexpected treat; that, for at least 2 of the songs they played that evening, they had a fairly good vocalist
doing the lyrics. This session actually ran slightly later than the previous time I visited, going about an hour
past when they were scheduled to shut down. This might have been due to the fact that their band is going to take
a break from performing for a while, due to Mark's wife having a baby. They couldn't tell me when they expected to
resume shows; instead, telling me to just keep checking back. So, I guess that's what I'll have to do.
|
|
|
"Quest"
|
|
|
Saturday, 09/08/07:
In the LVD Casino's "Thunderbird Lounge".
The band was very good, and they all seemed like very nice people, but the truth is
that this wasn't the greatest session... There were 9 people on stage during the
show; a fairly large ensemble on that small stage. I'd talked with the band leader
(Rich) on Friday night after the show, and he told me he wouldn't mind having me sit
in on bongos.; said, we'd discuss details the next night (Saturday). Saturday night,
I brought my bongos setup, and got the go-ahead from Rich. He then disappeared, I
think, to change his outfit. Nobody else seemed to have a clue, re. how to get me
set up - but, I did gather from the sound/lighting tech, that he didn't have an
unused line for the mic from my drums; so, I had to play unamplified, if at all.
Nobody knew where to place a chair on stage for me, since Rich was unavailable, so
my conclusion was that I'd be sitting off-stage (if playing at all). The probability
of anyone actually clearly hearing what I was doing, was slim to nonexistant.
Rich showed up just before resuming the show, and didn't take the time to discuss
at all w/ me; I pushed slightly, letting him know what the tech had told me. I had
the impression Rich viewed it as unimportant. Half of the last set of the engagement
passed by, and Rich didn't call me up. I got impatient, becoming unhappy waiting. I
had the feeling I was going to be ignored completely. I've had it happen before, and
it's pissed me off every time. If they aren't going to let me play, they should tell
me that up front. (I think I'm going to start up a "Hall Of Shame" page,
for the guys who pull this degrading trick.) The band started in on the song
"25 or 6 to 4" - a song I absolutely love and frequently practice, and had
been hoping I'd get to do with them, since very few bands actually know it. So, I
took charge of my own activity. I moved to sit where I'd left my bongos tray
(slightly forward of stage edge, and in the corner of the room), took the tray onto
my lap, and started playing. I knew I was barely visible to the crowd, and probably
inaudible - but I needed to play. Rich'es initial reaction was a frown at me, which
changed into an expression of acceptance and acquiescence, as he realized how good
I was. There were 3 or 4 more songs I sat in on, ending with the song "Sweet
Home Chicago". Here, I dragged a little showmanship out of my bag. I put on
my wrap-around very dark shades; i.e., a little "Blues Brothers" style
for the song. I could see people catching on to what I'd done, and gitting a kick
out of it, especially (one by one) the several band members who'd left the stage to
dance around in the crowd and play their instruments while doing so.
When the show was over, I packed up my stuff. I hadn't been able to make use of the
"LP Microphone Claw" I'd just purchased, but there's always the next time.
I made a point of going over to thank Rich for letting me sit in. As far as I could
tell, there weren't any hard feeling there re. my jumping the cue like that...
Neither of us mentioned it. I'm not sure if I'll ever try to sit in with them again,
though. The lure, is the fact that they do a lot of advanced R&B material
that nobody else does. The drawback, is that they don't have room for a guest
performer in terms of stage space or unused amplification lines. I intend to make
email contact with Rich, and suggest that he try to make use of the stage space in
the large adjacent room during his next engagement at the LVD Casino, instead of
the much smaller stage area in the lounge room. If they're smart, they'll get a
larger (or add a secondary) mixing board to accomodate the size of their group -
but, I think I'll leave that for them to figure out on their own.
|
|
|
"Robby Vee"
|
|
|
Friday, 10/27/06 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos, accompanying the band through almost 2 full sets.
I arrived at the Thunderbird Lounge later than I usually do; approx. 11:15 PM,
I think. The band was just ending a set, and taking a break. I walked up &
talked to Robby. I was surprised that he actually remembered me from the previous
time he'd played there. I told him that I'd been practicing to the CD he'd given
me, trying to master accompaniment on bongos for his music. I told him I had my
bongos setup in the car, and asked him if he ever let people sit in with his band,
or play between sets while the band was on break. He told me yes, and asked what I'd
like to do. I said, sit in on bongos. He clarified for me - what song? I told him,
anything off his CD. He had me bring in my bongos equipment, and set it up in the
stage left area.
I ran into a small problem I should mention, while bringing in equipment. The female
security guard on duty at the main entrance desk gave me the 3rd degree about what I
was bringing into the lounge, and why. She made me open my equipment box, and let her
ruffle through all the contents (miscellaneous stuff: microphones, harmonicas, guitar
picks, patch cords, a ratty old towel, etc.) She actually pulled the microphone stand
entirely out of its box; I guess, to verify that it actually was a microphone
stand, instead of something insidious and threatening. She made me unwrap the mini-bongos
from the translucent plastic bag, so she could get a really good look at them.
She made me open the carboard box, and remove the big set of bongos, so she could make
sure that they actually were bongos, and not some arcane device for causing
mayhem and destruction. (She didn't say that, but what else could it have possibly been,
motivating her?). When she was finally finished with the detailed, meticulous inspection
of my equipment, and walking away, I asked her, "Just out of curiousity, what did
you expect to find in there?" She didn't answer.
When the band returned from break, they played one song then called
me up. Bongos aren't an instrument that is commonly used for a wide variety of music
(usually, sticking to the Latin genre) - so, I think they were all surprised that I
was as good as I am; i.e., that I could actually fit in with their music, playing
bongos. Everything went smoothly, and I think both the band and the crowd had a
really good time with this slightly changed venue (addition of bongos into the musical
mix). We played several songs off Robby's CD, along with a whole slew of other pieces.
The part that really stands out in my mind, is a segment where the band did a medley
involving "Shout" and a couple of other songs; switching between songs in
mid-stream, then switching back again, etc. It was challenging, keeping up with them
- but, I think I managed to keep relatively in the groove throughout,...(!)
I need to make mention of something which was really out of character for me:
At the end of Friday's fun, I asked Robby whether I should bring back my bongos the
next evening and sit in again. He told me yes. I went home feeling quite happy, and
looking forward to going back the next evening. What's really out of character for me,
is what I did the next night - I stayed home, instead of going to the Casino to take
advantage of the chance to sit in with the band. This was the first time I've ever
passed up a chance to sit in with a band. It's even stranger, that I made such a decision
when it involves a band where I like & respect all the band members as much as I do
Robby's band. What's especially odd about it, is that I can't really pin down exactly
why I made that decision. All I can really say, is that as Saturday evening progressed
and the time for departure got closer and closer, I found myself increasingly reluctant
to go. I found myself repeatedly making up excuses re. why I should stay home, and
knocking each one right down as insufficient. Possible conditions justifying staying home:
*) The unprecedented difficulty involving the security guard, and the lack of explanation
why. I didn't want to have to go through that again.
*) The possibility that I've over-done my presence on the stage in the Thunderbird Lounge.
I am, after all, just a guest at the Casino's premises; not even a tribal member. I'd
hate to think that my sitting in with the band led to some negative consequence for
Robby & crew.
*) The shift of weather; the temperature had plunged, and there was snow coming down.
In this region of forests and endless miles of 2 lane highways, a journey to the Casino
& back included the risk of caught in a blizzard. Since the trip required the use of
my mother's car, that meant a risk of her not being able to get to the church the next
morning for playing organ (if I got stranded). That would be a loss of income, for her.
It also included a risk of getting into a car crash, somewhere on the very dark, isolated,
hilly highway.
It's mildly frustrating when I run into this type of situation, where I find myself forced
to not do something while not having any clear, undeniable justification for not doing it.
But - I've learned the hard way, that there are times when I need to listen to my intuition's
alarm bells; that, there are times when proceeding with previously planned courses of action
(choices & decisions) leads to disaster. I don't know, and never will know, exactly what
might have gone wrong if I'd gone out Saturday evening to sit in with the band. All I can be
really sure of, is that the only negative consequence I suffered due to my choice to stay home
was the loss of the chance to get some more time in, playing music with a group of truly
talented, very professional musicians.
To finish: I intend to send Robby an apology email, re. me not showing up, and thank him again
for letting me sit in with his band. It was great, and I'd do it again in a flash.
Saturday, 05/05/07
I got up to the casino late, on Friday night, so there wasn't any chance to sit in
with the band - but, I was able to give Robby the CD of my music ("Scruffy
Eagle Sampler 2004, for Robby Vee") that I wasn't able to give him the last
time he was at the casino. I was able to get an appraisal of my Fender JP-90 electric
bass guitar, from Robby's cousin who was in the band. He said it's worth between
$500 & $600. Considering its value, I need to add in the fact that when I sell
it, it will also have the original Fender hard shell case & guitar strap - so,
my current working estimate to aim for (if & when I sell it) is $600.00. I also
made the acquaintance of the guy playing stand-up bass (double bass), Louie. He
had a problem earlier in the evening before I arrived, and had broken the bridge on
his bass. The casino's maintenance staff helped him out with Crazy Glue and duct
tape, and he was able to make it playable. He requested, and I promised, that I would
bring my JP-90 the next night (Saturday) in case he ended up needing it.
I did bring my JP-90, on Saturday night. He didn't use it, though. I guess he just
wanted it in case his repaired bridge on the stand-up bass didn't hold.
I also brought my bongos setup, and sat in with the band during the last set. It went
well, and I had the feeling that they were slightly surprised that I was so good. My
only disappointment (and, I did tell Robby this) was that the band didn't do any of
Robby's songs during that set where I sat in.
Saturday, 03/01/08
I got up to the casino late on Friday night (as usual for Fridays), so there wasn't any chance to sit in
with the band - but, arranged that I should bring my bongos for the next night, Saturday. When I set up on
Saturday, it ws different than the previous times. This time, the stage was quite crowded with equipment,
so I sat in a chair at the edge of the dance floor, down off the stage. This placed me about a foot away from
the big speaker cabinet. Not good. When the band started playing, I couldn't hear any direct sound from my bongos
at all. Listening very carefully and really concentrating, I could pick out the sound of my bongos from the
amplified (musically excellent) din the crowd was hearing. I managed to get through the band's entire last set
in that manner. All the guys in the band complimented me on my bongos playing. The down side, is that I received
feedback from several people who'd been sitting at tables, that they couldn't hear my bongos at all. I feel that
this is at least partially my fault, because of poor procedure during set up sound check. When Robby had me
hit the drums to check the levels, I did it from a standing position instead of seated with drum tray across
lap, playing as I normally would. I think this caused my strikes on the drumheads to be louder than I would
normally play - and, so, the level got set incorrectly. Next time I'm in that situation, I'll know to do the
sound check seated, playing normally.
I'd wanted to purchase a copy of Robby's new CD while he was there, but he only had one copy with him. I gave him
my mailing address & phone number, and hopefully I'll receive one in the near future. He wanted to send it to
me without charging me... I'll have to figure out some way to pay him without it being obvious that I'm doing so.
After the show was over, I helped Robby and the band shuffle equipment out to their van & trailer. This
continues the initiative I began a while back, of always helping the band via roadie work after I've sat in;
a small thank you, for the chance to perform.
I should mention that I showed Robby a set of unfinished lyrics I'd begun earlier that day, and he really liked
it. He had me copy the lyrics onto another piece of paper, for him to take with him. He said he's going to work
on putting music to it, and turning it into a full song. This is really cool - co-writing a song with
Robby Vee! I told him to give me credit, but don't worry about paying me money unless it's like $1000 or more.
Small change isn't worth the paperwork & recordkeeping headaches it would cause. I can't wait to see what he
comes up with!
Saturday, 01/17/09
I got up to the casino late (as usual), on Saturday night, but not so late that there wasn't any chance to sit in
with the band. I brought my new LP "Classic II" bongos, in the new LP "Pro Bongos Bag", with
40' of mic cable, mic, & lap tray. The stage was fully loaded, given the players, their equipment, and 2
video screens placed at the rear of the stage, so I set a chair on the floor down off the stage, off to the side.
With 40' of cable, the extra distance was no problem.
I was a bit off stride when the music first started. I think this was due to 2 things. One, is that family
obligations had consumed all my spare time earlier in the evening, and I hadn't had any chance to practice before
going to the casino. The other, is that I'd been feeling like I was on the verge of coming down with something for
a couple of days. In fact, during the first 10 minutes or so, I felt like I was running a low grade fever. But,
that passed... I had a very difficult time hearing my drums, being placed in front of all the amps. To compensate,
I spent about 2/3 of the set playing with my head tilted & leaning down from one side to the other, getting my
ear about 6" away from the drumheads, trying to hear my drums well enough to accompany the music. (I really
need to come up with a solution for this chronic volume problem!) I don't know if Robby turned up the amp volume for
my bongos, or if I started hitting the drums harder, or I simply got myself tuned in to my drum sounds well enough
to start easily picking it out of the mix - but, toward the end of the set I was much more in the groove; enough, to
feel that I was doing a fairly good job of accompanying the band; contributing, instead of appearing incompetent.
After the show, I hung around & talked with the band till the bar closed down. Robby & I are developing a
strong friendship, as we get to know each other better. He promised me that he would send me copies of his CD's
that I haven't heard yet - and, wouldn't let me pay him for them. I decided to accept it gracefully, instead of
insisting on paying. Then, when the bartending woman came up requesting payment from Robby, I saw a chance to return
the favor. I asked her how much, and shelled out the $22.00 to cover the total tab they'd racked up. This was
unprecedented for me... I'm usually a skinflint, in bar-room situations. I was impressed that Robby accepted it
gracefully, with only small, brief-lived objections. When I got home, I sent Robby an email with my mailing address,
so he can send me the CD('s?). It's worth mentioning, that I intend to try to work out violin accompaniment for
at least one (if not more) of his songs. If I can manage it well enough, it will be a surprise I can spring on
him the next time we get together.
Thursday, 07/29/09
This was in the Thunderbird Lounge, at the LVD Casino. I brought my 14" Toca Djembe, and sat in during the
last set. The stage, as always, was fully loaded with players, their equipment, and 2 video screens placed at the
rear of the stage - so, as is now the defacto standard for sitting in with Robby's band, I set a chair on the floor
down off the stage. This time, I was placed at the stage right edge of center. Everything went smoothly, although
there were several pieces I wasn't familiar with. I think I did a sufficient job, figuring out the groove on the
spot as needed, and getting into it. Important to mention, is that Robby finally had a copy of his new CD to give
me; and, did - no charge! He's a great musician, a nice guy, and a good friend.
Friday, 10/02/09
This was in the Thunderbird Lounge, at the LVD Casino. I brought my bongos, and sat in during the last set. Robby's
cousin wasn't there this evening, so the stage was less crowded than usual - but, the video show equipment still
used up enough space that I ended up playing sitting in a chair down off the stage. This time, I set my chair at
the stage left edge of center. It went pretty well, despite the fact that I've been devoting most of my hand
drumming practice to djembe instead of bongos; i.e., a little shaky at the start, but hot by the time we were
halfway through the set.
Saturday, 05/29/10
This was in the Thunderbird Lounge, at the LVD Casino. I brought my djembe, and sat in during the second half of
the last set. Robby's cousin wasn't there this evening, so the stage was less crowded than usual - but, the video
show equipment still used up enough space that I ended up playing sitting in a chair down off the stage.
I did the same thing this time as last time, placing my chair at the stage left edge of center. It went pretty well,
and I think they were surprised at how well the djembe went with the music, blending in with the rest of the band.
There was a new person in the group this evening; a saxophone player. He was an excellent player, and his work
blended in beautifully with the rest of the band. NOTE: After the show, I brought in my banjitar from the car,
and showed it to Robby. I wasn't surprised at all, that after fiddling with it for about 10 minutes, he was
already doing things way beyond the beginner's level; in fact, doing things I can't even begin to do.
Saturday, 07/10/10
This was in the Thunderbird Lounge, at the LVD Casino. I brought my djembe. Robby called me up after the end of
the 1st song of their last set, and I sat in during the rest of the set. I did the same thing this time as last time,
re. placement of my drum, playing sitting in a chair down off the stage, at the stage left edge of center.
It all went well - much applause, and some dancing. The group contained the same people as last time.
|
|
|
"The Rock-A-Billy Revue"
|
|
|
Saturday, 01/19/08 :
In the LVD Casino's "Thunderbird Lounge".
I played Djembe, during the entire next-to-last set of the engagement.
This went smoothly, but a shortcoming was that the band's amp equipment was fully loaded; i.e., there were
no unused mic input lines, so I had to play unamplified. I did what I've done before, sitting on a chair at the
boundary between stage front and dance floor. There was a larger than average crowd there, because a radio station
was having a party at the casino - so, there were several times when the area in front of me was filled with
dancing bodies. The attendance and dancing are good for the band, but it worked against people other than the dancers
directly in front of me actually hearing my drumming. This was made clear to me later, when several people who'd
been out there sitting at tables told me they hadn't been able to hear me at all. I'd known there was the risk
that this would be the case... but, given the subzero weather outside, and the difficulties of transporting
equipment, setup, breakdown, etc., I decided that bringing in my own amp or P.A. system would have been too much.
After all, I was just doing this for fun and the experience playing with other musicians - I mean, I wasn't getting
paid for this, right? Despite all this, I know there were several people who actually did hear my drumming (the
dancers), and definitely got some emjoyment out of it.
There was a guest vocalist who sat in with the band; a guy named "Kevin", who (I think) was from the radio
station group. He sang 2 or 3 songs, and I was really impressed at how good he was.
The one mar I can think of, upon an otherwise perfect evening, was an injury that occurred. There was a time
during the set I sat in on, when 3 or 4 women from the radio station group went up on stage to dance there by the
band. I don't have all the details, because my placement down off the stage put my back to them. All I'm really
sure of, is that when it came time for the women to leave the stage, 2 of them took the direct route off the front
of the stage instead of using the stairs. (Did one fall off and the other jump down to her? Don't know.) The one
who hit the ground in a heap left the casino later via a wheelchair. I'm sure there are potential legal and economic
ramifications to this incident, but I'm not sure exactly what those will end up being (if any). I'm sorry for the
pretty lady who fell and got hurt, and also feel bad for the band. As a musician, though, I have to take it as a
learning experience. It reinforces for me the golden rule regarding alcohol that I intend to implement if &
when I get a working band together: Absolutely NOBODY, guest or performer, is allowed on the stage at any
time, if they've consumed any alcohol.
It just occured to me, that I failed to offer assistance to the band shuffling stuff out to their truck. I feel
bad about that... It would have been extra useful, considering how incredibly cold it was outside. I mean, it
was almost as cold as my mentally deficient 2nd ex-wife! (And, that's bone-chilling, life-threatening,
inhumanly vicious cold, indeed.) There's really no way I can make up for this oversight - but, Donny, if you're
reading this, please accept my heart-felt apologies. You deserve better, and I'll try to do better, next time.
|
|
|
"Sassy Magoo Band"
|
|
|
Saturday, 10/17/09 :
In the LVD Casino's "Thunderbird Lounge".
I played Djembe, during several songs of the last set of the engagement.
This band had 4 members present: Sarah ("Sassy") (lead vocal), Mike (drums), Scott (guitar), & Peter
(bass). This session went smoothly, but I was told later by people from the audience, that they hadn't been able to
hear me at all. I sat on a chair onstage, front & stage right from the drumset. They called me up for a couple
of songs, had me go sit down, then called me back up for a couple more songs at the end of the set. There was a
moderate but not overly large crowd there, and I was pleased that several people from the audience cheered when I
was called up on stage both times. (It's nice to have friends!) After the show, I tried to help them shuffle their
equipment out to their van, but there really wasn't very much for me to do. Despite the drawback of the audience
not being able to hear me, I'll be looking forward to a chance to sit in with them again. I like them as people,
and enjoy the chance to sit in with musicians as talented as they are. I've got to remember to mention next time,
the volume problem!
Addendum added 01/03/10: Note that I did mention the volume problem, and was told it simply couldn't be helped.
I interpret this as that it's a problem they're not willing to help; i.e., other bands manage, and benefit - so,
what's their problem? Therefore, it's a matter of intention, not equipment. A basic truth, is there are some
people you simply can't be friends with; they won't give you a chance. And, that's what the volume problem from
10/17/09 boils down to - they were willing to let me sit on the stage, but weren't willing to give me the chance
to contribute musically. This band also put me through a rather embaressing episode on 12/31/09, New Year's Eve.
I'd expected that they would want me to sit in with them, so I brought my djembe setup in the car. When they had
their 1st break after my arrival, I went up and talked with them. When I broached the subject of sitting in, Scott
seemed embarressed and referred me to Mike, who then was going to refer me to Sarah - but then, changed his mind
and referred me to their manager (who was present at the gig, for once). The manager told me this particular gig
was too important, and they didn't want me sitting in. Nobody made any statement, at any time, indicating they'd
want me sitting on some other night... Note, it was a 3 night gig. The 1st night (the 31st, when I was put through
the musical chairs routine) was in the Bingo Hall, and the other 2 nights were to be in the lounge area. I skipped
attending their 2nd night, and showed up late the 3rd night - did NOT bring my djembe, and nobody inquired. I've
occasionally considered starting up a "Hall Of Shame" re. some of the bands I've interacted with since
I started sitting in. If I had one, I'd probably add this band to it.
|
|
|
"Unity - The Band"
|
|
|
Saturday, 05/30/09 :
In the LVD Casino's "Thunderbird Lounge".
I played Djembe, during the entire last set of the engagement.
I arrived just in time to hear the last song of the next-to-last set; just enough music, to know that I would want
to sit in with them if they would let me. It turned out that these were all very nice people. I met the lead
vocalist & guitar player, Peta (sp?), and knew right away that I liked him. Before it was all over, I was
introduced to the rest of the band members, but being poor re. remembering names, the only other name I remember
is the other lead vocalist & guitar player, Matt. (This was a large band, having at least 7 people on stage;
enough, that I didn't manage to count them.)
The session went smoothly. They were all skilled Reggae musicians, and I managed to fit in despite it being a
style I'm not accustomed to; i.e., I didn't make any big blunders that I'm aware of, and everyone (band included)
seemed to appreciate what I did. I hope to see this band again - soon!
|
|
"Vinny D. Valentine and the Royal Flush Players"
( The band was comprised of Vinny D. Valentine, vocalist,
and a collection of musicians from a couple of different bands,
whom he'd contracted as a backup ensemble.)
|
|
|
Saturday, 12/16/06 :
In the LVD Casino's "Thunderbird Lounge".
I played bongos & sang, during 2 songs:
*) "Mony, Mony" by Tommy James & the Shondells, and
*) "Born To Be Wild" by Steppenwolf.
This didn't go smoothly at all, really,... The band members (including Bob) were
all for having me sit in, but we needed the go-ahead from Vinny. He seemed to be
uncertain whether it was a good idea, and then felt that Bob (band leader of
Live at Nine, and also the drummer) needed to be consulted before saying it was
okay. I assured him that Bob was for it, but before it could be a set thing, we
needed the go-ahead from the Casino's Floor Manager. Vinny went to talk with Bob,
& I went to find the Floor Manager. This ended up being me, standing by the
Casino's Security Desk for about 15 minutes, while some guards ran around trying
to figure out where the Floor Manager was. Finally a guard came back and told me
it was all right - we could go ahead and do some songs together.
I managed to get back into the lounge before the band left break, updated Vinny,
and went to set up the mic & stand for playing bongos. Kirk, the Sax player,
had told me to use the mic from his horn, but Vinny said Kirk would need it.
Vinny wanted me at stage rear, behind the keyboard player. I started setting up
the mic & stand I'd brought with me - then, Vinny told me there were no
unused lines to plug into. I had to play unamplified. If you've read the other
entries in this file, then you know that I've had a lot of experience with volume
difficulties in previous situations where the drums were being amplified. That
made it glaringly obvious to me; if I sat at stage rear, nobody would
hear me at all. So, I told Vinny that I'd need to be out front; otherwise, it
was guaranteed that nobody would be able to hear me at all over the other
instruments. The only thing I could come up with off the top of my head, was
that I could sit on the stairs that rose from dance floor to stage, and play
from there. I set up my drums on their tray, ready to be played, placed the tray
at stage edge next to the stairs, and went to sit down and wait. While waiting,
I reassessed the sitting on stairs idea. I concluded I'd have a better control
over my instrument, if I sat on the edge of the stage instead. There was a
clear space at the edge of the stage near stage center, just big enough for my
butt and the tray across my lap. And, people would be more likely to be able to
hear my unamplified bongos, if I was centered in the room instead of off to
the side near the big speaker cabinets.
A few songs later, the band rolled into doing "Mony, Mony", and Vinny
gestured to me to come over and play. I hustled over, picked up the drums, and
sat on the edge of the stage to play. After a minute, Kirk dropped a mic stand
w/ mic down off the stage to the floor in front of me; that helped a little.
The song ended, the mic & stand went back up on stage, and I went and sat
down again. This time, Vinny showed me the list of songs, and I was able to
know which song was scheduled preceding "Born To Be Wild" - so I was
prepared for it when the moment came. Having attempted the sitting on stage-edge
tactic, I'd decided I really needed do what I'd always done before, and sit on
one of the tall chairs. So, this time, I carried over a tall chair with my bongos
set perched on the seat, to sit on. Kirk dropped the stand for me again, and I
adjusted it quickly to a more useful (lower) height. I even managed to add some
backup vocals during the refrain, singing the words
"Born, to be wild...(!)" by quickly tilting the mic's holder upward
when the moment came (so I could sing into it) - then, tilting it back down again
to return to drumming mode. (I did that maneuver twice.)
In conclusion, I've decided that although this didn't go anywhere as smoothly
as I might have hoped for, it was still better than not playing. The difficulty
setting up, the rapidity with which I needed to set up, the odd placement of
myself vs. the rest of the band, and a lack of practice during the preceding
week while I dealt with my mother's septic system being replaced and a
subsequent break in her propane lines; all, when combined, resulted in a less
skillful display of percussion finesse than I would normally be capable of.
However, since they'd never heard me play before, I think they were happy with
what I was able to provide. These were all very nice people, and I'd be glad
to sit in with them again - but, next time, I'll bring my own amp. In fact, this
can be considered a learning experience, because in the future I'll always
make that I've obtained the Floor Manager's approval much earlier in the evening
instead of waiting till the last minute the way this sequence caused it to happen.
|
|
|
"Westside Band"
|
|
|
Saturday, 11/11/06 :
In the large room adjacent to the "Thunderbird Lounge", in the
LVD Casino.
I played bongos accompaniment during the song, "Mustang Sally".
Everything went smoothly, although there were two things that made it less enjoyable than
it otherwise might have been. There were some issues re. me bringing in my own equipment
for use on stage; setup & breakdown time, and considerations of space. So, I had to
use the hand drums that were already there set up w/ mic's on stands. This in & of
itself wasn't a big deal - but, a glitch was that the band's hand drummer method for setting
up his equipment arranged the row of drums so the sequence from bass drums to treble drums
ran from right to left. (I noticed this, while watching the band perform on Friday night.)
I, in contrast, have always set my equipment so it runs from left to right re. bass to treble.
(This is a little bit like handing an average guitar player a left-handed guitar and telling
them they can play, but they have to use that guitar - or, perhaps like trying to play a
keyboard which is arranged in reverse of normal layout; i.e., the sequence of the drums
was opposite of what I've trained & become habituated for using.) The second minor glitch,
was that there wasn't really time to go fetch, or room to put in place, a tall chair. Normally,
whenever I play music regardless of practice or performance, I do it sitting down. (It's not a
matter of being lazy - it's just that my physical condition interferes with standing in one
spot for extended lengths of time.) But, in this instance there really wasn't any choice;
I could either grab the opportunity and play standing up, or decline the opportunity and not
get to play at all. So, I played through the song while standing on stage.
There were 2 other audience members who played through the song, "Mustang Sally".
One was a young man who works at the Casino. I've sat in on stage at the same time as him
before. He's a fairly good drummer, although I think if he practiced regularly he could be
better. The other person was another young man, who I'd never met before. He played guitar,
and was fairly good. The down side of what I've written here, is it meant that there were
3 members of the Westside Band that sat out during that song - so, I didn't get the chance
to play along with the hand drummer, the regular drummer, or the lead guitar player.
When the show was over for the night, I got one of the free pictures of the band, ran around
to the various band members, and had them sign it. I made sure that each one who signed it
knew before they applied their marks, that I had the intention of scanning it into my computer
and putting it up for display at my website. (This way, if they had any issues re. having their
marks on display where anybody and everybody would see & potentially download it, they
had their chance to refuse to sign.) Here's a thumbnail of the picture, that links to a larger
size image:
~~~ Scruffy Music Partners ~~~
Linkage to the "Westside Band" website
Saturday, 01/27/07 :
In the "Thunderbird Lounge", in the LVD Casino.
I played hand-drumming accompaniment during the song,
"Play That Funky Music" by the group "Wild Cherry".
Everything went smoothly, although I still didn't get to jam with the entire
band. The hand-drummer, Dan, sat out during the song I sat in on. Also, Craig,
the lead guitar player, wasn't there this evening. There were a few
differences in my performance this evening, as vs. the previous time I sat in
with Westside. First, there was the fact that I was in quite a bit of pain
while doing it. The dental infection I've been struggling with for the past
couple of years has taken a turn for the worse. It doesn't seem to make any
difference, how well I take care of my teeth. My expectation is that in the
very near future I'll be forced to have the remaining teeth yanked, and get
dentures. The second difference, is that I've been practicing with my drums
reversed, strictly for the sake of the times I sit in with Westside. This
made me more capable of being in the melodic groove, re. bass vs. treble. The
third difference, is that I actually made use of the congas that Dan has set
up on stage by the bongos. It was the first time I'd ever actually tried to use
congas during a song. (I don't think I did too bad,...) I really need to get
my own congas, to get fluent into a drum set that has both bongos and congas.
I still haven't figured out yet, why Dan has 2 sets of bongos up there, and
I forgot to ask after the show was over. Maybe next time I'll remember?
I really like these guys. They're excellent musicians, and nice people.
Junior, the band leader, told me he'd like to have me sit in again the next
time they come to the Casino. I, for my part, can't wait!
Tuesday, 07/04/07 :
On a stage that was set up in the large room that's adjacent to the
"Thunderbird Lounge", in the LVD Casino.
I played hand-drumming accompaniment during a Santana song,
that I don't know the name of. In fact, I didn't recognize it at all - but,
managed to get through it. Apparently, I did well enough that when I confessed to
some friends that I didn't know it at all, they were surprised; said I'd done it
well.
Friday, 07/06/07 :
On a stage that was set up in the large room that's adjacent to the
"Thunderbird Lounge", in the LVD Casino. (This was a continuation of the
band's 5-day 4th-of-July holiday gig.)
I played my new mini-djembe, accompanying the song "Play That Funky Music"
by the group "Wild Cherry". It was kind of a spur-of-the-moment thing...
I'd brought the drum in to show my friends; it being brand new. I wasn't the least
bit familiar with the drum's playing characteristics - but, hearing that song got
me motivated to at least try. I walked near the stage, holding up the tiny drum.
(It's only 8" tall by 5" wide at the top, with a 4" drumhead.) The lead singer
motioned to me to come up. I sat at the top of the stairs leading up to the stage,
so I could hold the drum between my thighs for playing two-handed, and started
playing unamplified. I wasn't really aware of it happening, but there came a point
where I realized that the lead singer was sitting on the stairs next to me,
holding his microphone down by where the drum head was. The bass player came down
off stage also, and was standing in front of me. (I think
him walking down past me was what clued me in.) It went well - really cool. I think
everybody got a kick out of the tiny djembe, and enjoyed the show.
|
|
"White Rhino"
|
|
|
Friday, 02/01/08
and
Saturday, 02/02/08 :
In the LVD Casino's "Thunderbird Lounge".
This was a 4-member band of college-age guys (I say it that way, because I don't know for a fact that they were
all in college, but, were that age). There was a drummer, a bass guitar player, and two 6-string guitarists.
3 of the guys were orginally from Watersmeet, MI - so, they'd returned to do a gig in their old home town! The 4th
guy was from somewhere else; I'm not sure where... Their act was entirely original music within the genres of blues,
funk, and jazz - but, no cover songs at all. They were skilled musicians, and it was a breath of fresh air,
after a full month of nothing but country bands being scheduled in the lounge.
On Friday night, I had my Schalloch "medium" size Djembe with me, because I'd made a promise to a woman I
know, that I would sell it to her. She didn't buy it that night, so there I was, sitting with that djembe at a
table. I felt it was a shame, dragging it out and about without playing it - so, I asked, and ended up sitting on
a chair next to the stage, playing it unamplified during the band's last 3 songs of the night.
On Saturday night, I brought my newly acquired Toca Djembe, with its 14-inch goatskin head. I used the same setup
I've used previously for performing djembe on stage, via using an LP Mic Claw to hold the Low-Z microphone. It
worked w/o a hitch. A high note of the session (for me, at least) was the fact that when the band announced me
and I headed for the stage, there were several people cheering and calling out my stage name. It felt good - as
if I've developed some level of "following" in the people who attend the shows in the lounge regularly.
I sat in with the band during their entire last set of the night. I'd intended to help the guys shuffle their
equipment out to their transport (cars? truck? van?), but they were too quick for me. By the time I'd carefully
tucked the Djembe back into its padded carrying bag, bundled up all my cables, and put away my microphone, they
were almost done.
NOTE:
I looked up "White Rhino" online, and found there are at least 2 (maybe 3) other music groups out
there using the same name. The band I sat in with doesn't even have a web site, at the current time. When I
told the guys in the band what I'd discovered, they agreed it would probably be a good idea to adopt a new
name for the band. (That could prevent lawsuits at some later date, if any of the groups actually becomes
successful on a national level; i.e., the successful one would force the others to stop using the name.) This
creates a minor problem, re. keeping track of who I've actually performed with on stage. I only got the names
of 3 of the guys in the band, and I'm not even sure about the spelling of those. There was Ian on drums, Carl
on Bass guitar, and Erin on 6-string guitar & vocals. Erin promised me he'd send me an email, with their
names so this entry could be filled in properly. We'll see if it actually happens... It hasn't happened yet.
|
|
|
|
|
